Ms. Yoko Yoshinaga (Yaizu City,
Shizuoka)
I was impressed very much by Yoko Yoshinaga San's outstanding acting which was
able to play splendidly the different17 roles splendidly. It was wonderful. The
role of guidance were very fresh. Because of the guidance, I could get into the
traditional play easily and enjoy very much.
Thank you. I wish that Sayoko San can do more and more performance. |
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Mr. Minoru Nagahara (Asahikawa City)
The verisimilitude performance power distributed by Mr.Shirotani which made me
so excited.
I was very surprised t Mr. Shirotani who usually is intellectual and slightly
has such a great power when acting. Anyway, thanks for giving me a great and
touching time. |
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Ms. Toshiko Kurosawa (Tokyo)
Ithink there is no other actress like Mr.Shirotani could play the 17 roles by
one person, show difficult lines, present abundant expression in the same time
all by one person. I was been deeply moved just as the last monodrama.
Also Mr. Tsurusawa's samisen is truely outstanding. Hatsumi Takemoto San is a
excellant protagonist with his low voice.It's the best to see lively in the theater. |
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Mr. Saguchi Toshio (Yokohama City)
It was my first experience having got to know the world of play. I think it
will rich my life from right now. |
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Ms. Yoshiko Ogushi (Tokyo)
It was wonderful! Mr. Shirotani's passion was spread out all of stage. It was
uncanny zeal. Please convey the tradition of this Japan to the world by all
means!! It is expected. |
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Mr.Shigehito inukai (Saitama Cityj
Now I know what is the Chikamatsu's world.
I felt like I am riding on the time machine to
experience the spectator feeling of the Edo period. I also realize the importance
and the existence of"Osann" |
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Ms. Junko Watanabe (Matsudo City)
I had saw this kinds of show for the first time, and it was surprised. I was
so impressive |
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Mr. Kazuo Yoshino, Ms. Mutuko(Tokyo)
It was incredible only one person could actted in 17 roles, and expressed every
roles uniquely.
That drew all audiences. Especally Osan. My friend is just having the same
vexation right now.
A living national treasure, Tsurusawa Tomoji teacher's samisen, and Hatsumi.
Takemoto pronagonist was so moved and thank you very much. |
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Mr. Hirohiko Takano (Yokohama)
It was intelligible.
Also the energy of stage was completely delivered to audiences. |
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Ms. Nobuko Miyamoto (Chiba city)
I would like to see again. |
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Ms. Miyoko Oyoshi (Funabashi City)
I could expressed my feeling right now.
My tears came out in the end. |
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Mr. Hasumi Chouichiro and
Mr.Kione(Funabashi-shi)
Sayoko SAN:
Nice done. I think it is the best work from WONOWA's established. |
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Mr.Seichi Konn(Tokyo)
Ms. Sayoko Shirotani's " power" itself make the wonderful stage which
gave the audiences great impacts. Mr. Chiyuki Yonezu ("Mitama") is
written on the
pamphlet. Mr.Shirotani's "Mitama" has been transmitted from the ordinary
energy and the ordinary way of life. It has been always overwhelmed by the force,
which cannot be expressed. The only words I can say is that I saw a wonderful
performance. The greeting after the last curtain was an impressive thing. This
perfect art with opening investigation heart and the spirit of inquiry is going
to be sent to the world. I carried out applause to the extent and my hands
became painful. Before I saw the drama, I knew nothing except name of Monzaemon
Chikamatsu. It was the touching night of culture. |
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Hiromichi Okami and Mr.Yoshiko (Saitama
City )
It was the play filled of power. The energy of performing alone for 90 minutes
make me so impressive . Voice, gloss, and tension had risen to the peak. |
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Mr. Jun Ishikawa (Tokyo)
Ms.Shirotani's dance was beautiful. It was incredible that playing 17 roles
alone Thank you very much. The guide,
Mr. Suzuki, is joyful, I became pleasant by seeing him. |
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Mr. Minoru Obuchi (Matsudo-City)
Brilliant! Good Japanese culture was
improved. Sayoko was powerful. |
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Ms. Yumi Takeshita (Tokyo)
It was amazing!
I am curious about how to memorize such long lines. |
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Mr.Ken-ichiro Sakaguchi (NHK)
I saw the performance in the first day at front raw. I wake up at 4:30 every
morning to exercise these days. I thought I would be drawn into drowsiness
before the show. However, it was a brilliant work! Proper use of 17 roles,
sound was a surprise. Also the way of how to take between is admiring.
Nevertheless, the second part was too complex to me to understand. The first
description guidance was very intelligible. Thank you for having me the show. |
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Ms. Masako Yoshida (Tokyo)
It was a really wonderful stage. My mother went together with me, she saw Mr.
same stage of Ganjirou Nakamura long time ago. One person playing 17 roles
alone was uncanny this time. She has been moved deeply and tears came out. Thank
you
for
a filial
piety being possible. |
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Ms. Aratake Emiko (Mitaka City)
Congratulations for great success of the Chikamatsu public performance. The
whole audiences were satisfied. It was a really wonderful public performance.
Also I am glad that it obtained compliment from experts. I believe it becomes
abig step. The union of staffs was the key of public performance. I tried my
best to give the supports. |
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Gen Nakatani (actor)
The audiences were caught into Chikamatsu's world from the opening. It was also
a fortunate that listening to a FH teacher's samisen. Please show more
various works by performance in the original text from now on. |
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